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Xavier Rudd

Much like the ascending Koonyum Sun ushers in a new day in New South Wales, the record of the same name by world son Xavier Rudd carries a similar aura of refreshment, of rebirth.

From 2002’s To Let, his first studio album, through to 2007’s White Moth, Rudd gradually refined his globally-influenced collage of world music – a matchless mixture of reggae, funk, blues, folk, and nearly every other sort of song with the ability to stimulate people’s spirits. With 2008’s Dark Shades of Blue, though, the world was welcomed into a darker, more somber side of Rudd’s music. The album was indeed musically rich, with an international influence still inherent; however, the overall aura carried a different tinge compared to that of his previous work. As he explains it, his musical output at that time may have been a slight glimpse of what was soon to come.

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